An open lotus, carved in white marble — a form that has lived in Indian stone for millennia.
The lotus is Rasasthya’s emblem for a reason. This sculpture is carved as a bloom just opening, petals layered and thinned until the marble reads as something almost soft.
It sits as well on a writing table as it does in a courtyard niche. A piece that connects a modern room to a much older language of making.
