The collection
Kanishka
Looks after the line — what we make, and the rooms it is for.
Jaipur · carved by hand
Our story
Beauty that connects past and present
Rasasthya began in Jaipur, among workshops where marble is still understood as a living material — cool, stubborn, and capable of holding a very old idea of beauty in the rooms we live in.
Keep the hand visible. No loud finish. No piece that could have been made anywhere.
We work with artisans whose families have carved for temples, havelis, and houses. The brief is simple: keep the hours in the stone, and let the room find them slowly.
The line is small on purpose. Murtis, sculpture, pietra dura, and objects for the home — more than a catalogue, still made the same way. Nothing poured from a mould in another city.
The house is held by two. Kanishka and Ekansh keep the work close to the workshop: what belongs in a room, and what the stone will allow.
- Jaipurcarved & packed
- Makranawhite marble
- By handno moulds
The name
The essence of wellbeing, grounded in balance.
Rasa is essence, flavour, an emotional experience. Asthya is stability — grounding, being firmly established. Together they are Rasasthya. What we make should feel like it belongs: a Ganesha for a threshold, a box for a dressing table.
- Rasaessence · flavour · feeling
- Asthyastability · grounding
The work
Stone, inlay, and time
None of this is fast, and we do not pretend otherwise.
Makrana marble is chosen for its grain. Pietra dura — pachchikari — is set stone by stone. Murtis are cut from a single block. A collection this small is updated by hand, as the workshop finishes what it can stand behind.
A petal is not rushed. A fold of cloth is cut until it sits. Inlay is a conversation between two stones, not a pattern printed on. The last light on a piece is as considered as the first cut.
When it leaves Jaipur it is packed the same way it was made — by hand, with the hours still in it. If the piece you want is not in the line, we will tell you what is possible, and how long it will take.
- 01Chiselthe first cut
- 02Dusthours unseen
- 03Finishthe last light
Makrana · set stone by stone
Pietra dura on a lid — flowers that look as if they grew there, the hours still in the set.
The house
Held by two
The workshop
Ekansh
Stays with the karigars in Jaipur until a piece can leave.
The making
Held to a slower standard
The hand
A person, a tool, a block of stone. The hours do not show until the piece is finished.
The block
Murtis cut from a single stone. Forms that have lived in Indian marble for centuries.
The set
Pietra dura, stone by stone. Objects meant to be lived with, given, and kept.